Personal Info

Gender

Male

Birthday

1923-01-24 (102 years old)

Place of Birth

Zagreb

Vlado Kristl

Biography:

Vladislav "Vlado" Kristl (24 January 1923, Zagreb, Croatia – 7 July 2004, Munich, Germany) was a filmmaker and artist, best known for his animations and short films.

Vladislav "Vlado" Kristl was born 24 January 1923 in Zagreb, Croatia.[citation needed] Kristl first came to international prominence for his formally challenging and rigorous animations, particularly Don Kihot (freely inspired by Cervantes' Don Quixote). The film is a "graphical and abstract masterpiece which went beyond all existing conventions" and was awarded the main prize at the Oberhausen International Short Film Festival. Kristl regarded this film, which was not his first, as the one where he "was finally given a free rein".

In 1962 Kristl made General i resni clovek (The General and the real man), a satirical live action short film which got him into trouble with the board of censors.

He died in 2004, aged 81, in Munich, Germany. With his partner Jelena he had two children, Madeleine (b. 1966) and Pepe Stephan (b. 1968).

He published two books of poetry: Neznatna lirika (Insignificant lyrics, 1959), and Pet bijelih stepenica (Five white steps, 1961) in Croatian, and several books in German.

Known For

Directing

1990

1988

The Last Clone as Director

1971

Tiger Cage as Director

1970

Film or Power as Director

1969

1968

1967

Utopia as Director

1966

The Letter as Director
Prometheus as Director

1965

Car Race as Director

1964

The Dam as Director
The Pot as Director

1963

Poor People as Director

1962

The General as Director

1961

Don Quixote as Director

1960

Shagreen Leather as Director

Writing

1988

The Last Clone as Writer

1970

Film or Power as Writer

1968

1967

Utopia as Writer

1966

The Letter as Writer
Prometheus as Writer

1965

Car Race as Writer

1964

The Dam as Writer
The Pot as Writer

1963

1962

The General as Writer

1961

Don Quixote as Writer

Production

1968

Crew

1971

The Film of the Authority as Cinematography

1968

A Pad of 100 Leaves as Cinematography