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Personal Info

Gender

Male

Birthday

1930-10-30 (94 years old)

Place of Birth

Barcelona, Barcelona, Catalonia, Spain

Néstor Almendros

Biography:

Néstor Almendros Cuyás (30 October 1930 – 4 March 1992) was a Spanish cinematographer. One of the most highly appraised contemporary cinematographers, "Almendros was an artist of deep integrity, who believed the most beautiful light was natural light...he will always be remembered as a cinematographer of absolute truth...a true master of light".

Néstor Almendros Cuyás was born in Barcelona, Spain, but at 18 moved to Cuba to join his exiled anti-Francisco Franco father. In Havana, he wrote film reviews. Then he went on to study in Rome at the Centro Sperimentale di Cinematografia. He directed six shorts in Cuba and two in New York City.

After the 1959 Cuban Revolution, he returned and made several documentaries for the Castro regime. But after two of his shorts (Gente en la playa and La tumba francesa) were banned, he moved to Paris. Starting in 1964, he became the favorite collaborator of French New Wave director Éric Rohmer. In the early seventies he also started working with François Truffaut, Barbet Schroeder and other directors.

Almendros began his Hollywood career with Days of Heaven (1978), written and directed by Terrence Malick, who admired Almendros' work on The Wild Child (1970). Almendros was impressed by Malick's knowledge of photography and his willingness to use little studio lighting. The film's cinematography was modeled after silent films, which often used natural light. In 1979, Almendros won the Academy Award for Best Cinematography for Days of Heaven.

Almendros received three further Academy Award nominations for his work on Kramer vs. Kramer (1979), The Blue Lagoon (1980) and Sophie's Choice (1982), making him the most nominated Spanish person in Academy history as of the 93rd Academy Awards in 2021.

Almendros was the cinematographer for the John Lennon documentary, Imagine: John Lennon (1988), directed by Andrew Solt.

In his later years, Almendros co-directed two documentaries about the human rights situation in Cuba: Mauvaise Conduite (1984) (Improper Conduct) about the persecution of gay people in Cuba; and Nadie escuchaba (Nobody Was Listening), about the alleged arrest, imprisonment and torture of former comrades of Fidel Castro. He also shot several prestigious advertisements for Giorgio Armani (directed by Martin Scorsese), Calvin Klein (directed by Richard Avedon) and Freixenet.

Human Rights Watch International has named an award after him by establishing the Nestor Almendros Award for Courage in Filmmaking and it is given every year at the Human Rights Watch International Film Festival.

In 1980, Almendros won the César Award for François Truffaut's The Last Metro.

In 1992, Néstor Almendros died of AIDS-related lymphoma in New York City at the age of 61.

Source: Article "Néstor Almendros" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Known For

Camera

1991

Billy Bathgate as Director of Photography

1990

Made in Milan as Director of Photography

1989

New York Stories as Director of Photography

1987

Nadine as Director of Photography

1986

Heartburn as Director of Photography

1984

Places in the Heart as Director of Photography

1983

Confidentially Yours as Director of Photography
Pauline at the Beach as Director of Photography

1982

Sophie's Choice as Director of Photography
Still of the Night as Director of Photography

1980

The Last Metro as Director of Photography
The Blue Lagoon as Director of Photography

1979

Love on the Run as Director of Photography
Kramer vs. Kramer as Director of Photography

1978

The Green Room as Director of Photography
Days of Heaven as Director of Photography
Perceval as Director of Photography
Koko: A Talking Gorilla as Director of Photography
Goin' South as Director of Photography

1977

The Man Who Loved Women as Director of Photography
Madame Rosa as Director of Photography
Change of Sex as Director of Photography
The Man Who Loved Women as Camera Operator
Entire Days in the Trees as Director of Photography

1976

Maîtresse as Director of Photography
The Marquise of O as Director of Photography

1975

The Story of Adele H. as Director of Photography

1974

My Little Loves as Director of Photography
Cockfighter as Director of Photography
The Mouth Agape as Director of Photography
General Idi Amin Dada as Director of Photography

1972

Love in the Afternoon as Director of Photography
The Valley as Director of Photography

1971

Two English Girls as Director of Photography
Le cochon aux patates douces as Director of Photography
Sing Sing as Director of Photography
Maquillages as Director of Photography

1970

Bed and Board as Director of Photography
The Wild Child as Director of Photography
Claire's Knee as Director of Photography

1969

My Night at Maud's as Director of Photography
More as Director of Photography
The Gun Runner as Director of Photography

1968

The Wild Racers as Director of Photography

1967

La Collectionneuse as Director of Photography
A Farmer in Montfaucon as Director of Photography

1966

A Modern Coed as Director of Photography
Santa Claus Has Blue Eyes as Assistant Camera

1965

Saint-Germain-des-Prés as Director of Photography
Place de l'Étoile as Director of Photography
Six in Paris as Director of Photography

1964

Nadja in Paris as Director of Photography

1960

General Assembly as Director of Photography

1959

El Tomate as Director of Photography
Cooperativas Agropecuarias as Director of Photography

1950

A Daily Mix-up as Director of Photography

Directing

1987

Nobody Listened as Director

1984

Improper Conduct as Director

1965

Six in Paris as Assistant Director

1960

1950

A Daily Mix-up as Director

Writing

1984

Art

1969

More as Art Direction