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Personal Info

Gender

Male

Birthday

1893-03-20 (132 years old)

Place of Birth

Nashville, Missouri, USA

Frank D. Williams

Biography:

Frank D. Williams (March 21, 1893 – October 15, 1961) was a pioneering cinematographer who was active in the early days of the motion picture industry. He developed and patented the traveling matte shot.

Frank D. Williams was born March 21, 1893, as Frank Douglas Williams, to James and Lucinda Williams in the small community of Nashville, Missouri.

In 1912, Williams became a cameraman at Keystone Studios. There, in 1914, he was the photographer for many of Charlie Chaplin's first-year pictures, including Kid Auto Races at Venice which was the first film released in which The Tramp appeared. Williams is credited as appearing in Kid Auto Races at Venice, playing a cameraman, but his appearance is in doubt. For a time he was chief cinematographer at Keystone, and a large number of the studio's 1914 films are credited to him as photographer. He defected to work for the short-lived Sterling Motion Pictures, but returned to Keystone when Sterling closed in 1915. He also worked a camera for Henry Lehrman's L-Ko Kompany, Reliance-Majestic Studios, and Bluebird Photoplays.

When Roscoe Arbuckle formed a new motion picture company, Comique, in 1917, he hired Williams to be his cameraman. At Comique, Williams also shot Buster Keaton's first film appearance, The Butcher Boy (1917). His tenure there was also short; he shot three films for Arbuckle (Butcher Boy, A Reckless Romeo, and The Rough House) before departing to start his own lab. His business did not get off the ground quickly, and he supplemented his income by continuing to work as a cameraman. He was director of photography at Sessue Hayakawa's Haworth Pictures Corporation and is credited with 15 pictures that came out of that studio between 1919 and 1921.

While he was working as a cameraman at various studios, Williams worked on his idea for a traveling matte in which the actions of actors would be combined with a filmed moving background. Available technology prevented him from achieving the effect he envisioned until he built a printer himself to his own specification. He filed for a patent in May 1916, and it was granted in July 1918. The process was first used in a motion picture in 1922's Wild Honey.

From Wikipedia, the free encyclopedia

Known For

Acting

1914

Kid Auto Races at Venice as Cameraman (uncredited)
His Prehistoric Past as Caveman (uncredited)

Camera

1921

Where Lights Are Low as Director of Photography
The Swamp as Director of Photography
Black Roses as Director of Photography

1920

The Devil's Claim as Director of Photography

1919

The Dragon Painter as Director of Photography
The Tong Man as Director of Photography
The Man Beneath as Director of Photography

1917

A Reckless Romeo as Director of Photography
The Rough House as Director of Photography
The Butcher Boy as Director of Photography

1916

The Floorwalker as Director of Photography
Hop - The Devil's Brew as Director of Photography
The Vagabond as Director of Photography

1914

His New Profession as Director of Photography
Getting Acquainted as Director of Photography
His Prehistoric Past as Director of Photography
The Property Man as Director of Photography
Caught in a Cabaret as Director of Photography
A Busy Day as Director of Photography
Kid Auto Races at Venice as Director of Photography
Making a Living as Director of Photography
Mabel's Strange Predicament as Director of Photography
Between Showers as Director of Photography
A Film Johnnie as Director of Photography
Tillie's Punctured Romance as Director of Photography
Recreation as Director of Photography
His Favorite Pastime as Director of Photography
Tango Tangles as Director of Photography
The Rounders as Director of Photography
The Knockout as Director of Photography
Mabel's Married Life as Director of Photography

Crew

1933

King Kong as Special Effects Technician

1927

1918

Secret Strings as Cinematography

1914

The Fatal Mallet as Cinematography
Caught in the Rain as Cinematography
Her Friend the Bandit as Cinematography
Mabel's Busy Day as Cinematography
Laughing Gas as Cinematography
The Masquerader as Cinematography
The New Janitor as Cinematography
Those Love Pangs as Cinematography
Dough and Dynamite as Cinematography
Gentlemen of Nerve as Cinematography
His Musical Career as Cinematography
His Trysting Places as Cinematography

Visual Effects

1933

The Invisible Man as Visual Effects Supervisor